Street Level Japan

The photographer hopes, in brief, to discover a tension so exact that it is peace.

Robert Adams, from “Denver: A Photographic Survey of the Metropolitan Area,” as cited by Szarkowski.

Szarkowski is an exemplary writer for his sincere effort to be clearly understood. I think these efforts are most visible where he meditates on the most basic qualities of photography. He may not use a “basic” style, but it is rewarding to stick with him.

Photography is a system of visual editing. At bottom, it is a matter of surrounding with a frame a portion of one’s cone of vision, while standing in the right place at the right time. Like chess, or writing, it is a matter of choosing from among given possibilities, but in the case of photography the number of possibilities is not finite but infinite.

By means of photography one can in a minute reject as unsatisfactory ninety-nine configurations of facts and elect as right the hundredth. The choice is based on tradition and intuition – knowledge and ego – as it is in any art, but the ease of execution and the richness of the possibilities in photography both serve to put a premium on good intuition. The photographer’s problem is perhaps too complex to be dealt with rationally.

The photographer cannot freely redispose the elements of his subject matter, as a painter can, to construct a picture that fits his prior conception of the subject. Instead, he discovers his subject within the possibilities proposed by his medium.

Via AMERICANSUBURBX